CINEMA
GOING, BERLIN STYLE
Martin Duffy
Living in Berlin has shown me just what Irish cinema-goers are missing.
Berlin is a city of cinemas. Looking through the cinema listings in the
Berlin event magazine 'Zitty', I counted a total of 269 cinema screens
in the city. There are cinemas here from the predictable multiplexes to
the funky extended livingrooms. The smallest I have been in is
'Lichtblich' in Kastanien Allee. It has thirty one seats. Potsdamer
Platz, on the other hand, has several multiplexes. The modern cinemas
are an exquisite film experience, but the extra character of the small
and eccentric cinemas makes up for their technical shortcomings. And I
believe they are the life blood of cinema going.
The proliferation of cinemas here means that films don't come and go in
marketing waves but last for months filtering down to other screens
around the city. Also, as with places like the culture centre Urania
near us at Martin Luther Strasse, there are venues around the city for
documentary screenings or for minority audiences. In Urania, in one of
its large cinema auditoriums, I saw a documentary that had been shot on
video and was being projected onto the large screen direct from a DVD.
Something else exists here that I remember from the old days in Dublin
- cheap cinemas. Not too far from us is Cinema am Walter Schreiber
Platz. It screens films at the tail end of their run - my wife and I
saw 'Goodbye Lenin' there six months after its first release - and all
seats cost 2 Euros 50 cents.
There are two cinemas a short walking distance from where I live. One,
Odeon, is about the size and style of what was the average suburban
cinema in Dublin when I was a kid - it seats about four hundred. Odeon
specialises in showing films in 'OV' - original version - and not
dubbed into German. The other cinema is Xenon, and it is typical of the
slightly greasy but absolutely wonderful cinemas that keeps films
alive. It has two screens and I have only been in the main one - which
seats maybe a hundred. In quieter moments you hear the neighbouring
film. The projection booth is on the same level as the cinema itself,
and the one entrance from the foyer is at almost the front row. Anyone
looking for a seat once the lights are dimmed and a trailer or the film
is on screen becomes silhouetted on the screen.
The cinema experience here is very genial. The small cinemas have
wonderful eccentricities and give a sense of cinema-as-corner-store. A
very funky fifty-seater cinema - Kino-Erstauffhrung im ACUD Kino in
the old East of the city - is on the top floor of a grand old building
above a bar, a dance studio, and a night club. When I went there, the
sole member of staff, a young man, sold tickets, served drinks and
snacks, then went into the projection booth and screened the film. I'm
not much of a beer drinker, but most people buy a bottle of beer to
take with them into the cosy dark. Smoking is no longer allowed in
cinemas, but I can imagine a time when people sat back in cinema as if
in a favourite cafe. At the end of a screening, people line up to place
their empty bottles in a glass recycle container and their food
wrappings in a packaging recycling container.
A very necessary background to this is the existence of small
independent distribution companies. My wife worked for one such
company, Neuen Visionen, who serve a network of small cinemas and also
own three such cinemas (including Lichtblick). This is no path to great
wealth or even financial stability. But some people are born to such
recklessness. In Ireland, the comparable venture is 'access CINEMA',
run by Maretta Dillon. Without the work of access CINEMA and its member
groups there would be little opportunity for audiences to see a wider
range of cinema and to appreciate what filmmakers from other countries
are doing. access CINEMA associate screens now stand at 28 and
they are making a huge contribution in their local areas. Check out
their work on www.accesscinema.ie.
The economics of the multiplexes and giant distribution companies works
against cinematic diversity. But a couple of people deciding they are
mad enough to run a small cinema together do more for film and
filmmakers than mutliplexes shovelling in the money from the latest
blockbuster in Dolby Digital Stereo. Maybe Ireland needs to import a
stock of shaggy, chain smoking, beer drinking Berliners who are happy
to make a precarious living running a small cinema where the tickets
are cheap, the beer is expensive, and the film experience is all. Or
does Ireland already have such people waiting for their opportunity?
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